The thrill here is SKIN
BCI's AFTER DARK THRILLERS consists of two double-side recorded DVDs with two movies per side. Transfer quality of these unrestored films is adequate.
SYNOPSES--
BLUE MONEY-- NOT the 1985 Tim Curry film. This one stars Alain Patrick as a man whose involvement in adult filmmaking is his undoing.
CLICK-- When a fashion photographer brings some models to a remote ranch to shoot some "snuff" pics, a crossdressing psycho killer "nurse" targets the girls. Slow first hour is washed away by gore afterward.
DOUBLE EXPOSURE-- The police and a shrink suspect that a fashion fotog who has recurrent nightmares of slaying his scantily-clad models may be the slasher terrorizing their city.
FRENCH QUARTER-- Bruce Davison, Virginia Mayo and all the primary actors have dual roles in this story of a girl relocated to the Crescent City for the sake of work who dreams she lives in the 19th Century. Fine jazz soundtrack accompanies this unique...
`After Dark Thrillers' Titillates (Emphasis on the First Syllable)
The quality of the titles selected for these B-movie packs usually runs the gambit from "surprisingly good" to "I want those 90 minutes of my life back." Few of the movies in "After Dark Thrillers" actually qualify as thrillers, but there are some that qualify as worthwhile viewing, especially if you stick to the movies made before 1980.
The Good
- BLUE MONEY (1972): A pre-"porno chic" era pornographer (Alain Patrick, also this movie's director) struggles to balance work and home life, but a cute young starlet (Inga Marie) and an FBI investigation threaten both. Though rough around the edges and not really a thriller, this one actually has something to say about changing mores of the times and the consequences of buying into them. Barbara Mills is excellent as Patrick's wife.
- SEPARATE WAYS (copyright 1979; released in '81): An upper middle class housewife (Karen Black) embarks on a path of self-discovery when she learns of her husband's (Tony LoBianco)...
Poor collection of titles
I really didn't like this collection of films. Part of the problem is that several of the films really aren't thrillers Separate Ways for example is more a domestic drama of a marriage in trouble, while Night Club is drama about trying to open a night club.
Mostly I didn't like this set because I really didn't like any of the films. In all honesty this is probably the first collection of films like this where I really didn't like any of the films enough to even contemplate watching any of them again. The best film in the set is Separate Ways, with a French Quarter a close second (its ruined by over use of an annoying lens filter). Those were the only two of the 8 films that I actually watched all the way to the end without hitting the fast forward. The remaining six films were an endurance test for me and what was to be several nights viewing turned into a single evening marathon as I scanned through this truly poor collection of films. After the third bad film I just...
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